Posts Tagged ‘learned’

Making shoemaker’s coad (redux)

Sunday, April 12th, 2015

Back in June of 2011, my friend Matt and I worked up a batch of shoemaker’s wax, often called “coad” in the medieval jargon. We started with pine pitch, pine rosin, and a bit of beeswax to make some nice little balls of coad that were perfect for shoemaking. Fast forward to today, and unfortunately, our source for excellent pine pitch has dried up (pun intended). What is commonly available today is pine tar, a similar formulation, but with a great deal more volatiles still embedded, which makes it into a thick, viscous liquid rather than a gummy, solid substance. Below is experimentation to come up with some shoemaker’s wax using what we have available today. As always, if you find a source for solid, but slightly soft, gummy pine pitch, please let us know!

There are two primary sources for pine tar that I’ve used. One is the Auson Kiln-Burned Pine Tar, and the other is “The Real Stuff” pine tar, with sources in the links.

Sewing the Treadsole of a Welted Shoe

Tuesday, January 20th, 2015

I thought it might be illuminating to describe the manner in which I currently outsole a shoe, since I’ve recently started playing with a new technique and rather like the results. In two separate instances with two different and very knowledgeable individuals, I’ve had welted stitching described to me as “rice grains laying against each other,” or a similar variation thereof. As a result, I think I’m getting rather close to the ideal, as I hope the images will soon describe.

But, just to be sure that we’re on the same page, let’s first remind ourselves the construction of a welted shoe.

1350s Shoes from Fischmarkt

Wednesday, September 3rd, 2014

This pair is based on a 1350s extant piece documented in “Archeological Footwear” authored by Dr. Marquita Volken. The pattern comes from an unusual extant shoe which has an oval cutout on the inside of the shoe, along with a buckle strap to close the shoe around the foot. This shoe also has a binding strip all the way around the shoe including the strap, and is quite a pretty example of a medieval shoe. A few points of note – the original has the buckling on the inside of the shoe (it is easier to buckle your shoe this way while sitting down or standing up), but it unfortunately hides the pretty cutout and the buckle. As a result, the recipient asked that the buckle be placed on the lateral (outside) of the foot, rather than the medial side. Further, you will notice a rather thick sole – this was constructed as a turn-welt shoe, even though that particular style doesn’t really start to come about until the third quarter of the 15th century. I took several cues from Dr. Volken’s book in the construction of this pair, and I’m particularly pleased with the way they worked out. The decoration is inspired by several extant 14th century pieces with lines of decoration across the vamp of the shoe.

Let me share some of the techniques that I tried, starting with the binding strip. Although I’d done binding strips in the past, this was the first time that I’d done it in this manner.

Currying Leather Properly…Part II

Thursday, May 1st, 2014

After looking at the four pieces, I discovered that there was something of a difference between the piece of leather that had been oiled on both sides rather than just the front, so I decided to go with just the one which had been oiled on both sides. For the tallow, there might have been a slight difference in tallowing leather that had been wet – it didn’t take the tallow as well. As a matter of course, you kind of want as much oil and grease in the leather as you can get, which will keep it in the best shape. So, dry is certainly the way to go, and you will get more tallow into it when dry.

I also noticed that to get a rather darker look than I was looking for, I had to apply a couple of coats of fish oil. I also found that if you dunked the leather in a bucket, it did NOT take the fish oil very well, so I ended up simply spritzing it down with a spray bottle and using a rag to apply the fish oil. Essentially, the dryer your leather is, the darker the oil will make it look. Dark leather is lovely, but you don’t want streaky dark leather, so I would err on the side of a bit of dampness and several applications. I let this leather sit for about three weeks, and although I am told that it is supposed to “jelly” up a little, I did not notice a significant difference. Possibly, I did not oil the leather enough. In any event, you can see below the leather I started with and how much darker it is now. Quite a difference!

However, tallowing made the leather beautifully supple and smooth – I cannot say at this time if the leather will retain its suppleness and smoothness over time or if the tallow will leech out too quickly, but I will be sure to keep you in the loop and update this post accordingly. From now on, all of my shoes will be at least tallowed, if I do not have the time to oil them as well. Neatfoot oil might have a similar effect, but it is modern, and I’d rather go for something that has some historical appeal to it. We are, after all, reproducing history!